PREVIOUSLY ON THE HAUNTING HOUR...
YOU'VE NEVER PLAYED SCARY MARY?
SHE BURNED TO DEATH.
NOW SHE WAITS ON THE OTHER SIDE OF THE MIRROR.
THIS CAME THROUGH THE MIRROR.
"M" FOR MARY.
"SCARY MARY LOOKING THROUGH.
SCARY MARY...
[TOGETHER]: SHE'S GOT YOU...
SHE WANTS YOUR FACE.
[SCREAMING]
[♪♪♪]
[CLOCK CHIMES]
[CHILDREN'S VOICES ECHO]
[GEARS TICK]
[ECHO OF CHILDREN'S LAUGHTER]
[♪♪♪]
[BEAST SNARLS]
[♪♪♪]
[LOCKED KNOB RATTLES]
[HORSES WHINNY DISTANTLY]
[GASPS]
MOM!
SHE CAN'T HEAR YOU.
[GASPS IN HORROR]
MOM!
I USED TO YELL AND SCREAM LIKE THAT.
WE ALL DID.
DRINK.
WHERE AM I?
WHERE AM I!
SHH...
WAIT!
[RATTLING DOORKNOB]
HI, AMBER.
IT'S MARLA.
IS HANNA THERE?
DO YOU KNOW WHERE SHE IS?
ERIC! MOM!
I-I REALLY NEED TO SPEAK WITH HER.
SHE'S NOT GOING TO GET INTO ANY TROUBLE.
YES, I ALREADY CALLED ERIC.
HE'S HERE.
[DOORBELL RINGS]
THAT'S THE POLICE. HOLD ON.
AMBER WANTS TO SPEAK WITH YOU.
OKAY.
HEY.
I KNOW, IT'S CRAZY.
HER MOM'S CALLED EVERYONE.
IT'S LIKE SHE JUST... DISAPPEARED.
OKAY, I'LL CALL YOU BACK.
ERIC!
I'M HERE!
ERIC, WAIT!
I'M RIGHT HERE!
NO!
DID YOU SHOW THIS TO THE COPS?
NO.
DUDE, YOU'RE WITHHOLDING EVIDENCE.
EVIDENCE OF WHAT?
I DON'T KNOW.
I THINK IT'S EVIDENCE
THAT SCARY MARY PULLED HER THROUGH THE MIRROR
OH, COME ON, MAN,
SCARY MARY IS AN URBAN MYTH.
THEN WHERE'S HANNA?
MAYBE SHE RAN AWAY.
HANNA? NO WAY.
LOOK, I'M TELLING YOU, MAN,
EVER SINCE SHE PLAYED THAT GAME,
SHE'S BEEN ACTING REALLY WEIRD,
LIKE SCARY MARY WAS INSIDE OF HER HEAD OR SOMETHING,
AND THEN THE CRACKED MIRROR BY HER FRONT DOOR,
AND NOW THIS HAIRBRUSH?
THE BURNT HANDLE? "M" FOR MARY?
IF YOU DIDN'T PUT IT THERE, THEN WHERE DID IT COME FROM?
DUDE, I DON'T KNOW.
IT MUST HAVE COME THROUGH THE MIRROR.
IT'S IMPOSSIBLE.
AND I BET THERE'S A REASON
THE BRUSH CAME THROUGH THE MIRROR,
SO THAT HANNA COULD USE IT.
IT MUST HAVE SOME KIND OF POWER.
WE'VE GOTTA HELP HANNA, MAN.
I STILL THINK THE CHICK WENT NUTS AND RAN AWAY--
HEY, SHE'S NOT "THE CHICK."
SHE'S HANNA, OKAY?
SORRY.
THERE'S NOTHING YOU CAN DO.
[CROWS CAWING]
[BRISK FOOTSTEPS APPROACH]
[DOOR OPENS]
YOU WERE GONE SO LONG.
IT ONLY SEEMS THAT WAY.
AM I IN...
MARY'S WORLD?
YES.
AND SHE LIVES IN THE FARMHOUSE?
YES.
I WANT TO GO HOME.
DON'T THINK LIKE THAT.
YOU'LL GET USED TO IT,
AND IN A WHILE, YOU'LL GET TO LEAVE THIS ROOM.
SOMETIMES, WE EVEN GET TO GO
UP TO THE BIG HOUSE.
COME,
YOU GET TO CHOOSE YOUR MASK.
SHE TOLD ME THEY ARE ALL DIFFERENT.
ARE THEY?
[SCOFFS]
I DON'T WANT A MASK.
YOU MUST CHOOSE.
SHE DOESN'T LIKE TO SEE US WITHOUT THEM.
WHY?
WHAT DO YOU LOOK LIKE?
I DON'T KNOW.
LET ME SEE.
NO, STOP. GET AWAY!
[GASPS IN HORROR]
WHEN IT'S YOUR TURN,
YOU WON'T WANT ANYONE LOOKING AT YOUR FACE.
[CELL PHONE WARBLES]
HERE HE IS.
WHAT'S WITH THE EMERGENCY TEXT?
I TOLD THEM ABOUT THE HAIRBRUSH.
YOU NEED TO GIVE THAT TO THE POLICE.
IF SHE WAS KIDNAPPED,
IT COULD HAVE THE DNA OF HER ABDUCTOR.
SCARY MARY'S DNA?
THERE IS NO SCARY MARY.
SO SOME KIDNAPPER JUST HAPPENED TO KNOW
HANNA WAS PLAYING THIS GAME,
AND SO HE WENT OUT
AND BOUGHT AN ANTIQUE HAIRBRUSH,
PROBABLY OFF THE INTERNET OR SOMETHING, RIGHT?
AND THEN HE BURNT THE HANDLE,
CAME IN AND CRACKED TWO MIRRORS,
AND THEN KIDNAPPED HANNA?
IS THAT WHAT YOU THINK HAPPENED?
SO, GET THE BRUSH TESTED
FOR DNA.
IT'LL SHOW IF THERE'S HAIR FROM A HUNDRED YEARS AGO.
THAT'S RIGHT.
I STILL THINK SHE RAN AWAY.
SO, LET'S SAY I GIVE THE BRUSH
TO THE COPS,
AND THEY DO THE TEST,
AND IT PROVES THERE'S OLD HAIR IN IT.
WHAT'S THAT GOING TO DO?
THEY'RE GOING TO KEEP THAT BRUSH,
AND THEN WE'RE NOT GOING TO BE ABLE TO GET IT BACK.
DUDE, WE'RE GOING TO NEED THAT BRUSH.
WHAT FOR?
TO FIND HANNA.
HOW?
THE SAME WAY WE LOST HER.
[♪♪♪]
[PLAYING "THE MOONLIGHT SONATA" ON PIANO]
[HITS AN ANGRY DISCORDANT NOTE]
[SOFT SLIDING]
HAS ANY BOY COME TO CALL ON ME TONIGHT?
[ALL TOGETHER]: NO, MA'AM,
NO BOY HAS COME TO CALL ON YOU TONIGHT.
[SOBBING]
[CRYING]
[SOBBING, TEARS DRIPPING]
[TEARS TRICKLE]
[SLIDING]
HAS ANY BOY COME TO CALL ON ME TONIGHT?
[TOGETHER]: NO, MA'AM.
NO BOY HAS COME TO CALL ON YOU TONIGHT--
[SHOUTS IN RAGE]
[STAMPING AND FUMING]
YOU'RE UGLY, YOU'RE UGLY!
YOU'RE UGLY,
AND NO ONE WANTS TO CALL ON YOU!
[TRUNK SLAMS]
[RESUMES PLAYING PIANO]
[♪♪♪]
LOOK, I DON'T KNOW ANYTHING ABOUT MAGIC
EXCEPT FOR WHAT I'VE SEEN IN MOVIES AND STUFF,
AND WHAT I'VE BEEN GOOGLING.
IT ALL PRETTY MUCH SAYS THE SAME THING.
ALL OBJECTS THAT HAVE BEEN PART OF MAGIC KEEP VIBRATIONS.
TALISMANS.
RIGHT.
THIS IS SUCH BULL.
IF YOU'RE SO SURE IT'S NOT GONNA WORK,
THEN WHY DON'T YOU TRY IT?
DIDN'T THINK SO.
ANYONE ELSE?
ERIC, YOU REALLY BELIEVE
SHE WENT THOUGH A MIRROR?
SOMETIMES I DO, AND SOMETIMES, I THINK MAYBE I'M NUTS.
I BELIEVE IT.
SO DO I.
YOU'RE ALL CRAZY.
SHE'S BEEN GONE FOR FOUR DAYS.
IT'S WORTH A SHOT, RIGHT?
BUT IF YOU GO IN THERE,
HOW ARE YOU GOING TO GET BACK THROUGH?
I DON'T KNOW.
I DON'T THINK YOU SHOULD TRY.
NEITHER DO I.
YOU GUYS SHOULD STAND BACK.
DON'T BE IN THE REFLECTION.
[TAKES A DEEP BREATH]
[EXHALES NERVOUSLY]
"SCARY MARY LOOKING THROUGH.
"SCARY MARY SHE SEES YOU.
"SCARY MARY LOOKING THROUGH,
SCARY MARY SHE'S GOT YOU."
[GASPING IN MOCK TERROR]
WE'RE IN THE MIRROR WORLD!
SHUT UP, TYLER.
THE BRUSH, USE THE BRUSH.
HANNA?
ARE YOU THERE?
ERIC?
HANNA, ARE YOU THERE?
ERIC!
HANNA!
[MIRROR SHATTERS]
ERIC?
ERIC!
[FOOTSTEPS APPROACH]
[PANTING IN FEAR]
IT'S TIME.
[ERIC GROANS]
WHERE ARE YOU TAKING ME?
MISS MARY?
THE NEW FACE, MISS MARY.
BRING HER.
OH, YES...
THIS WOULD BE HANNA.
ISN'T SHE PRETTY?
[ALL]: YES, MISS MARY.
DO YOU THINK
YOU ARE PRETTY?
NO.
NOT REALLY.
BUT YOU ARE PRETTY.
PLEASE, I WANT TO GO HOME.
DID SHE CHOOSE A MASK?
NO, MISS MARY, NOT YET.
YOU DON'T WANT TO CHOOSE YOUR OWN MASK?
I FELT SORRY FOR YOU.
PLEASE LET ME GO.
CHOOSE ONE FOR HER.
YES, MISS MARY.
PUT HER IN THE CHAIR.
[PLAYING DRAMATICALLY]
[SCREAMING] STOP!
WHAT ARE YOU GOING TO DO TO ME?
LET ME GO!
[SHACKLES RATTLE]
IT FEELS STRANGE, BUT IT DOESN'T HURT.
[DISTANT SCREAM]
[♪♪♪]
HANNA!
[STOPS PLAYING ABRUPTLY]
IS THAT A BOY?
HANNA!
A BOY HAS COME TO VISIT YOU?
A BOY HAS COME TO VISIT.
HANNA?
[HINGES CREAKING]
HELLO?
HANNA, ARE YOU IN HERE?
HANNA!
HANNA?
HANNA, IS THAT YOU?
IT'S ME, ERIC.
ERIC?
WAKE UP, HANNA.
ERIC, YOU CAME FOR ME.
ARE YOU ALL RIGHT?
I THINK SO.
I THOUGHT SHE TOOK MY FACE.
SCARY MARY?
YES.
WHERE IS SHE?
I DON'T KNOW. WE HAVE TO GET BACK.
DO YOU KNOW HOW?
I THINK SO. I HEARD THE OTHERS TALKING ONE NIGHT.
THE OTHERS? WHAT OTHERS?
FACELESS ONES.
IT'S HORRIBLE.
THEY SAID THAT MARY'S WORLD IS CREATED BY FIRE,
SO TO GET BACK, WE MUST GO THROUGH WATER,
THROUGH THE LAKE OF TEARS.
WHY DON'T THEY GO THROUGH?
BECAUSE YOU CAN'T GO ALONE.
SOMEONE HAS TO COME FOR YOU, BUT NO ONE EVER DOES...
UNTIL YOU.
OKAY, UH, LET'S GO, OKAY?
COME ON.
ERIC, WAIT.
WHY DID YOU COME FOR ME, ERIC?
WHY? BECAUSE YOU'RE HANNA.
BUT MY FACE.
TELL ME ABOUT MY FACE.
IT'S A GOOD FACE, HANNA.
A GOOD FACE.
IS THAT ALL?
WHAT DO YOU WANT ME TO SAY?
TELL THE TRUTH,
THAT EVERYONE WANTS TO LOOK AT MY FACE.
THAT MY FACE IS THE MOST BEAUTIFUL FACE
IN ALL OF CREATION.
THAT WHEN YOU LOOK UPON MY FACE,
YOU WISH TO NEVER LOOK AWAY,
THAT MY LIPS ARE PERFECTLY CURVED,
THAT MY NOSE TILTS GRACEFULLY,
THAT MY EYES DANCE WITH COLOR,
THAT THE BLUSH OF MY CHEEK
IS MORE GLORIOUS THAN THE DAWN.
SINCE WHEN DO YOU THINK YOU'RE ALL THAT?
YOU DON'T EVEN LIKE HAVING YOUR PICTURE TAKEN.
BUT NOW I DO.
AREN'T I
THE MOST BEAUTIFUL GIRL IN THE WORLD?
AREN'T I?
TELL ME
I'M THE MOST BEAUTIFUL GIRL IN THE WORLD.
TELL ME--
STOP IT.
WHEN YOU GET LIKE THAT, YOU DON'T LOOK BEAUTIFUL AT ALL.
YES, I DO!
[FLAMES CRACKLE]
YOU'RE NOT HANNA.
YES, I AM.
YOU'RE NOT! LOOK!
[GASPS] DON'T LOOK AT ME!
WHERE IS SHE?
I'M HANNA. TAKE ME!
GET OFF OF ME--
[ALL CLAMORING] TAKE ME!
LET GO!
[LAUGHING WICKEDLY]
[PLAYING PIANO, GIRLS ALL PLEADING]
ERIC!
[THUDDING] ERIC!
ERIC, IS THAT YOU?
YES, IT'S ME.
I SMELL FIRE.
PLEASE! PLEASE GET ME OUT OF HERE!
I'M HANNA. TAKE ME!
[GLASS SHATTERING, FLAMES CRACKLE]
TAKE HER. SHE'S UGLY.
SHE HAS NO FACE.
[BEAMS THUDDING]
[PLAYING PIANO]
ARE WE AT THE WATER?
YES.
[SHAKILY] ERIC, I CAN'T SEE.
SHH, JUST HOLD ON, 'KAY?
[BREATHING HARD]
ARE WE HOME?
I CAN'T BELIEVE IT!
IS THAT YOU?
WOW, YOU'RE BACK!
YOU GUYS...
[LAUGHING IN RELIEF]
OH, MY GOD, HANNA, IT'S SO GOOD TO SEE YOUR FACE.
IT'S GOOD TO HAVE ONE.
GUYS?
[CHUCKLES]
[SHUTTER CLICKS]
[CHUCKLES FONDLY]
[GHOSTLY VOICE CALLS]: ERIC...
A GIRL HAS COME TO CALL...
ON YOU!
[♪♪♪]